In September, 2011, 12k released the boxed set by Taylor Deupree and Marcus Fischer titled In A Place of Such Graceful Shapes containing a CD, a booklet of photographs and a clear-vinyl 7”— all carefully designed and integrated. All 500 copies of this box sold out by the beginning of 2012. As a special release to be debuted at the duo’s live performance at the Salvage Vanguard Theatre in Austin, Texas on April 15th, the artists have utilized a limited pressing of unlabeled white-vinyl 7”s and made a new, equally beautiful, release for this project about landscape, texture, and sound.
In A Place of Such Graceful Shapes (Edition) comes packaged in heavyweight folded package housing the white 7” and a download coupon for the full-length project that existed on the original CD. Limited to only 250 copies this is a beautiful object for the first-time listener or for the collector fortunate enough to have a copy of the original box.
[ EXCERPT FROM THE ORIGINAL PRESS RELEASE FOR IN A PLACE OF SUCH GRACEFUL SHAPES]
In the fading days of autumn in 2010, Taylor Deupree and Marcus Fischer, having become acquainted only earlier that year, set out on the sort of cross-country collaboration typically executed via technology and the web. However, having made a few rough sketches, they became disenchanted by the Internet and the machines between them, and quickly realized that the only way forward was via a plane ticket. Marcus left Portland for New York in February of 2011. The two met face-to-face for the first time, and without any hesitation embarked on 4 days of creating music and photographing the bitter cold and deep snow that covered the state.
Buried in a sea of guitar pedals, looping boxes, analog synths, tape recorders, found objects and percussion instruments, Deupree and Fischer settled into the 12k studio and began crafting long passages of music, with no editing, into what would become the single composition on the CD. The creative energy didn’t stop in the studio, however, as the frozen bay and snow-covered hills along the Hudson River became the visual backdrop that brought the project to completion. Intended for quiet listening.
[REVIEW, FLUID RADIO, UK]:
“Over the course of nearly 50 minutes, incidental micro-loops, bell-like sounds, worn-out guitars swells, decayed chord progressions, fragile melodic fragments and warm droning textures are carefully assembled, held suspended for a few seconds and immediately dissolved, only leaving evanescent traces of their past presence to create a very intimate and ephemeral landscape whose boundaries are uncertain and colours always changing. The apparent yet deceptive stasis of the piece create a strong sense of place, akin to a spectral meadow at dawn or an hidden-away sunlit pond, whose aquatic inhabitants are still asleep. More than an elusive echo garden, it’s a sanctuary that Fischer and Deupree patiently create. The short two accompanying tracks ‘Blanketing’ and ‘Cloudline’, pressed on a separate 7” vinyl, sound like miniature versions of that intimate place, as if recalled from hazy memories and condensed into a glistening glass ball – two numbers of exquisite and diminutive beauty that are the perfect companion to the nocturnal sleeplessness.”